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Welcome to my website.  I've rammed this thing full of almost everything I could about me (no - you don't get to know my shoe OR pants sizes). As the months pass, I hope to continue to add spiffy new photos, sound bytes and video. I do have my calender up and running so see where I'll be at anytime of the year (as long as I remember to enter it in...) and I will continue to add little updates just to say hey. I'm here. And I can blather on too. Enjoy!
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Reviews
Accents on Words : Lewisham Library (28 February, 2006) PDF Print E-mail
Written by Heather Taylor   
Mar 09, 2006 at 03:47 PM
Review on Edit Red
By Sean Merrigan


'There are miles of words between us, when we used to be so close.'
-Aoife Mannix

The Accents on Words performance could be summed up by the quote above. Its central theme is language: how it draws us together yet also marks our apartness, how words themselves always end up having to stand in - always in a rather faut de mieux way - for people and things we can no longer physically approach - ex-lovers, deceased parents, even our past.

Last Updated ( Oct 24, 2007 at 04:54 PM )
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FFWD Weekly - February 1999 PDF Print E-mail
Written by Heather Taylor   
Sep 26, 2005 at 08:52 PM

Theatre
-Lori Montgomery

Across town, the Mount Royal College theatre department will also be mounting a student production - this one with a slightly different tone. Also composed of one-act plays, the MRC show will include Reverse Transcription by Tony Kushner, The Case of the Crushed Petunias by Tennessee Williams, and an unusual piece of collective creation by MRC students, called May Contain.

Last Updated ( Oct 24, 2007 at 04:04 PM )
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London Theatre Guide Review of Hostage/ Bleach/ Burn PDF Print E-mail
Written by Heather Taylor   
Oct 24, 2007 at 03:20 PM
London Theatre Guide Review by Chloe Preece, 31 July 2007

This Practicum production is an enigmatic set of three one-person shows playing as part of the Camden Fringe. The trilogy gives us a glimpse into the minds of three very different personalities as we discover first-hand a profound internal struggle that they share, a fight, both physical and metaphorical, to be set free. As we follow their journey, each grappling with their past and their future, we are made to feel the presence of the ghosts that haunt each of them, the force, partly imaginative but also incredibly real, that keeps them trapped in their claustrophobic realities. There is a real weight to this piece but despite it’s sombre tone, certain slight moments of humour ease the tension for a few seconds (such as when writer Heather Taylor, makes use of her Canadian heritage and reveals the “curse of the Canadian country,” “plaid”), before plunging us back into the dark depths of the human spirit.

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